Mithila Painting Images Represent is Very Rich and Historical

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Mithila Painting Images Represent is Very Rich and Historical

Mithila Painting images represent is very rich. Mithila painting the evolution of an art form. The inner and outer walls of the houses are embellished with decorative motifs and mythological scenes after white washing every year on the occasion of Deepawali, the festival of lights. The images of snakes are drawn on the occasion of Naag panchami ( festival of worshipping the god of snake). On Durga s thami (the eighth day of Durga festival) the mud walls flanking the entrance of the room of family deity are smeared with rice paste on which the women of the family paint the images of Durga astride a lion or a tiger in red clay. In some cases only a circular or a triangular female head is depicted. Marriage is one of the most important occasions to be blessed with Mithila arts. Various motifs are painted on the walls of the bride’s home/or on the paper wrapping various packets of Vermillion powder used for the wedding ritual. Drawings of the wedding party itself may also adorn the walls of the family courtyard, celebrating the occasion. In addition to all these motifs, the images of many birds and animals, sun and moon, and people have specific interpretations.

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Mithila Painting images represent is historical. An elephant stands for good luck; a fish for fertility and good luck; a parrot for love and affection. Peacocks, tortoises, and scorpions also appear frequently in Mithila art and have specific meaning. Human figures may be used to tell stories and illustrative events. These arts have always been temporary because of their dependence on walls, generally made of mud, which account for their fading away so soon, say, after five or six years. It is because of their temporary nature and sudden disappearance or washing away, due to the crumbling of the walls, that there is hardly any segment of the wall arts done in the past. The ritual bound tradition of floor and wall art with local natural colour (red from red clay, black from root, yellow form turmeric or petals of flowers) by women were still prevalent in the 1990, when the handmade lokta paper was introduced as the surface art by Claire Burkert to the Maithili women of Janakpur and its neighboring villages. Mithila Painting images represent is pride of Janakpur.

Once the art descended from the walls or scrolls, they became freer in expression with the easy availability of modern brush and acrylic colours. These artists departure from the repetitive art of magical symbols, ritual motifs and Aripan, which they have inherited as a part of living. Gradually led to distinctive artistic creations. Thus, the most of Mithila art started capturing the everyday life of Maithili people, moments of performing rites as it became exportable product nowadays except the handmade lokta paper and handmade cotton clothes, this art is done on note-books, photo frame, writing sets, recycled cards, mirrors, ceramics, bags and cushion covers, table cloth, ash-tray, T-shirts and tapestry. Its market value has been increasing day by day. And most of the women artists of Mithila are able to earn decent income from this art that is a kind of empowerment. Mithila Painting images represent is pride of Mithila.

writer: Seema Parween

Source: The Voice of Madhesh

Mithila Painting Images Represent is Very Rich and Historical

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Jitendra Sahayogee

I am Jitendra Sahayogee, a Writer of 12 Nepali Books, Director of Maithili films, Founder of Radio Stations, Designer of Websites and Editor of Some Nepali Blogs.

This Post Has One Comment

  1. I’m extremely delighted to learn something new about Mithila Paintings.Such an enriching art needs extensive promotion.

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